2018 Exhibition Schedule
Veiled: A Space Between
Sculpture by Aaron Tennessee Benson
Jan. 21 - March 9
Aaron Tennessee Benson opens the Tennessee Valley Museum of Art’s 2018 calendar on January 21 with an exhibition, “Veiled: A Space Between.” It will run through March 9 at the museum, located at 511 N. Water St., Tuscumbia. The museum is open 9 a.m. to 5 p.m. Monday through Friday and 1-3 p.m. on Sundays. Admission is $5 for adults, $3 for students and free on Sundays.
Benson’s exhibition focuses on the ideas of time and eternity, questions that Benson as a Christian grapples with. The works illustrate the difficulty people have believing what they cannot see and challenges viewers to think beyond the obvious.
“My work stems a lot from understanding the eternal,” he said. “Being a Christian, I wrestle with understanding eternity and staking my entire life on this belief based on my faith. I don’t have all the answers and don’t believe I’ll ever have all the answers. I create work that deals with the struggles I have with my faith. Struggles in a good sense: developing my faith as my own and not my parents’ faith or my friends’ faith and trying to understand the idea of eternity.”
Benson said that while his work is spiritual in its conception, it’s not in-your-face or trying to make a specific statement. There’s no hidden agenda, he said.
“If any deeper conversation comes about, it’s through one-on-one discussion, through someone asking more questions,” Benson said. “This work is an overview of my faith and what it entails to wrestle with a faith, whether you’re young or old. It’s a journey and part of this journey is working through this idea of eternity and the belief in it and trying to understand that belief from the lenses of humanity.”
In graduate school and shortly afterwards, Benson said he worked on projects that had to do with time, a topic that relates to his current work regarding eternity.
“Eternity is the absence of time, the fact that I understand that (pauses for a second) that’s a second, that’s the cliff, the edge,” he said. “There’s a time element in my work that’s process oriented, but I’m also conceptually thinking about time.”
Benson is an assistant professor of art at the University of North Alabama where he teaches ceramics, sculpture and 3D design. He earned his MFA from New York State College of Ceramics at Alfred University after obtaining his BFA in 2009 from The University of Tennessee.
“I grew up in the studio with my dad,” Benson said. “I fell in love with clay because I was around it and studied ceramics both in undergrad and in graduate school. Most of my technical background is in ceramics and hand building.”
Benson will present a slide lecture at the opening reception. He will also conduct a workshop that will include demonstrations of clay techniques including wheel throwing, slab building and alternative processes. Dates for the workshops will be announced.
This program has been made possible by grants from the Alabama State Council on the Arts and the National Endowment for the Arts.
H.R. Lovell: Southern Visions
March 25 - May 4
The Tennessee Valley Museum of Art opens the exhibition H. R. Lovell: Southern Visions at 1 p.m., Sunday, March 25. The museum is located on 511 N. Water St., Tuscumbia, Ala., and admission to the opening is free.
Southern Visions will be on display through May 4. Hours are 9 a.m. to 5 p.m., Monday through Friday and 1-3 p.m. on Sundays. Admission is $5 for adults and $3 for students during the week and free on Sundays.
The exhibition will feature works on loan from the collection of Quinton Horner and the Horner family as well as from the artist, H. R. Lovell. Horner, who inherited his late father’s collection, said much of the work has been out of the public eye for several years.
“It needs to be viewed by somebody other than just me,” Horner said.
Lovell was named Tennessee’s Artist-in-Residence for 2001 to 2003 by the Tennessee State Senate. He is a self-taught painter who uses a photorealistic style, often depicting the South and its people with strong composition and late afternoon light with deep shadows.
“I’ve always been an advocate of (Lovell)’s art,” said Horner. “There were times when I would sit for an hour and stare at one painting and look at the brushstrokes and think: how does someone do this? How does he pick just the right color and make those strokes look like rusted metal or hair?”
Horner’s appreciation of Lovell’s work has only been deepened by his relationship with the artist.
“Harold is part of his artwork, everything he paints has a story behind it that is personal to him,” Horner said. “The subject matter of the things he paints, if it’s of an old house, it’s a house from someone in his family.”
Horner related Lovell’s style to that of classic American painter Andrew Wyeth.
“He paints in the same medium,” he said. “Just like Wyeth painted the subject matters familiar to him, Harold paints subject matter that he relates to as well. His nostalgic paintings are reminders of simpler times.”
Gulf Coast Contemporary
May 20 - June 28
|Pinky Bass||Rachel Wright||Wanda Sullivan||Laura Woods|